![]() ![]() ![]() In fact, it’s one of the best noir scores ever written, and right up there with other classics of the post-1970s noir scores, Chinatown (Jerry Goldsmith), Farewell, My Lovely (David Shire), and LA Confidential (Goldsmith again). propel the film, establish its moods, define its characters, and illuminate its story, but apart from the film it is a great listening experience – its themes are beautiful and memorable, exciting and melancholy, mysterious and smoky and intoxicating. Not only does his music do everything that film music is supposed to do, i.e. Seen today, it is a moody, evocative, well-paced noir, with a powerhouse cast – and a lot of what works about the film can be traced to its score by Dave Grusin. The film disappeared quickly, but developed a cult following from its many cable showings and various video releases. It’s a 1950s crime movie, but with a modern, ironic edge.” The Los Angeles Times’ Kenneth Turan also liked it, and said, “ Mulholland Falls combines a vivid sense of place with a visceral directorial style that fuses controlled fury onto everything it touches.” Roger Ebert really liked the film, saying, “This is the kind of movie where every note is put in lovingly. In other words, business as usual for an LA noir. It also concerned itself with secretly filmed incriminating lurid movies, the A-bomb testing in Nevada, and a mystery rife with cover-ups and secrets and immorality lurking around every corner. Mulholland Falls was loosely based on a real-life group of LA policemen known as the “Hat Squad” who pretty much did things as they pleased in the days long before the Miranda decision. It’s interesting to think about what would have happened if the two films had come out in reverse order. One year later, LA Confidential opened, and suddenly a period LA film noir set in the early 1950s was all the rage with audiences and critics. Very much attempting to tap into the feel of the film Chinatown, it received some good reviews and some bad reviews but not many people in 1996 cared to see a period LA film noir set in the early 1950s, despite its excellent cast, which included Nick Nolte, Chazz Palminteri, Jennifer Connelly, John Malkovich, Melanie Griffith, Chris Penn, Michael Madsen, Andrew McCarthy, and Treat Williams, as well as small roles played by Bruce Dern, Louise Fletcher, Rob Lowe and William Peterson. In 1996, an LA film noir called Mulholland Falls was released. Sometimes it’s just the luck of the draw. “THIS ISN’T AMERICA, THIS IS LOS ANGELES.” Hit the jump for the label’s press release plus the track listing! Mulholland Falls is available for pre-order here and is scheduled to ship the third week of June, but pre-orders from Kritzerland usually arrive an average of four weeks early. The sound has been improved thanks to a new remastering, and never-before-released additional cues and alternates are present. Mulholland Falls is a worthy addition to any film score fan’s library, and the new edition bests the out-of-print Edel CD which regularly fetches upwards of $35. Grusin has been the deserving recipient of a lot of reissue love lately, between Varese’s The Goonies and Kritzerland’s A Dry White Season. He's also contributed arrangements to artists of all genres, including Billy Joel, Paul Simon and Sergio Mendes. Grusin has maintained a parallel career as a jazz musician, and co-founded GRP Records in 1978. He established himself as a master of numerous styles, and Oscar rewarded him frequently with nominations for Tootsie, The Fabulous Baker Boys, The Firm, Heaven Can Wait, On Golden Pond and more he took the coveted prize home for 1988’s The Milagro Beanfield War. Grusin’s distinguished film career began in 1967 with Norman Lear’s Divorce American Style and Mike Nichols’ The Graduate. ![]() Grusin’s score is now getting the expanded deluxe treatment courtesy of Kritzerland as a new, limited edition CD of only 1,000 copies. The production was top-notch, with the legendary Haskell Wexler ( In the Heat of the Night, One Flew Over the Cuckoo’s Nest, The Thomas Crown Affair) signed as cinematographer, and jazz icon Dave Grusin enlisted as composer. They assembled an all-star cast led by Nick Nolte, Chazz Palminteri, Jennifer Connelly and John Malkovich for Mulholland Falls. ![]() One year before Curtis Hanson made film noir hip again with LA Confidential, director Lee Tamahori and screenwriter Pete Dexter proved that there was still a lot of life in the old form. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |